“Hey, why don’t you bravely default on all of your other responsibilities for a day and play Spec Ops: The Line?” You should play Spec Ops: The Line and marvel at how much better the plot of that game is.” “Oh man, the ending of Bioshock Infinite was fucking terrible. “So, have you played Spec Ops: The Line yet? It’s seriously has one of the best plots of any recent video game.” “Hey, you should play Spec Ops: The Line.” Here is how a typical conversation with Jeff has gone in the past few weeks or so: Even if that game is something I may not ordinarily have picked up. So when Jeff recommends a game to me based on the strength of its plot, I take notice. Most of that fault is with the plot, because let’s face it, while video game plotwriting has come a very long way, it is oftentimes still lacking when compared with books and such. He plays a lot of video games, and he usually finds some manner of fault with roughly 95% of them. We’ll call him ‘Jeff”, because, well, that’s what his name is.
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